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Tuesday, August 13, 2002 |
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As Blake Well Knew From The New York Times: Edsger Wybe Dijkstra, whose contributions to the mathematical logic
that underlies computer programs and operating systems make him one of the
intellectual giants of the field, died on [August 6, 2002] at his home in
Nuenen, the Netherlands. He was 72.... Dr. Dijkstra is best known for his shortest-path algorithm, a method
for finding the most direct route on a graph or map.... The shortest-path algorithm, which is now widely used in global
positioning systems and travel planning, came to him one morning in 1956
as he sat sipping coffee on the terrace of an Amsterdam cafe. It took him three years to publish the method, which is now known
simply as Dijkstra's algorithm. At the time, he said, algorithms were
hardly considered a scientific topic. From my August 6, 2002, note below: ...right through hell there is a path, as Blake well knew... -- Malcolm Lowry, 1947, Under the Volcano |
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Thursday, August 08, 2002 |
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Here's Your Sign Last night, reading the 1990 Nobel Prize Lecture by Octavio Paz, I was
struck by the fact that he was describing, in his own life and in the life
of his culture, what might best be called a "fall from grace." I thought of putting this phrase in a journal entry, but decided that
it sounded too hokey, in a faux-pious sort of way -- as, indeed, does
most Christian discourse. I was brought up short when I read the morning paper, which, in a
review of the new Mel Gibson movie "Signs," described Gibson's
character's "fall from grace" in those exact words. The Paz lecture dealt with his childhood, which
seemed to him to take place in a realm without time: "All time, past or future, real or imaginary, was pure presence.
Space transformed itself ceaselessly. The beyond was here, all was here:
a valley, a mountain, a distant country, the neighbours'
patio." Paz also mentions the Christian concept of eternity as a realm outside
time, and discusses what happened to modern thought after it
abandoned the concept of eternity. Naturally, many writers have dealt with the subject of time, but it
seems particularly part of the Zeitgeist now, with a new
Spielberg film about precognition. My own small experience,
from last night until today, may or may not have been precognitive.
I suspect it's the sort of thing that many people often experience, a
sort of "So that's what that was about" feeling.
Traditionally, such experience has been expressed in terms of a
theological framework. For me, the appropriate framework is philological rather than
theological. Paz begins his lecture with remarks on giving thanks...
gracias, in Spanish. This is, of course, another word
for graces, and is what prompted me to think of the phrase
"fall from grace" when reading Paz. For a less academic
approach to the graces, see the film "Some
Girls," also released under the title "Sisters." This is the
most profoundly Catholic film I have ever seen. A still from "Some
Girls":
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Tuesday, August 06, 2002 |
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In honor of Pope
Callistus III, and all of whom died on this date: A
lavender love butterfly vignette... If you remember something there That glided past you, Followed close by heavy breathing, Don't be concerned. It will not harm you; It's only me, pursuing something I'm not sure of. and a But seriously... A few words in memory of a great mathematician, André Weil, who died on August 6, 1998: "I wonder if it is because to-night my soul has really died that I
feel at the moment something like peace. Or is it because right through
hell there is a path, as Blake well knew, and though I may not take it,
sometimes lately in dreams I have been able to see it?" -- Malcolm Lowry, 1947, Under the Volcano There is a link on the Grand
Finale site above to a site on British Columbia, which to Lowry
symbolized heaven on earth. See also my website Shining Forth, the title of which is not unrelated to the
August 6, 1993 encyclical of Pope John Paul II. |
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Tuesday, August 06, 2002 |
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August 6: Feast of the
Metamorphosis Adapted from Brief Exhortations: Geneva Bible: Romans 12:2 2 And be not conformed to this world: but be ye
transformed [metamorphosized] by the renewing of your f mind, that ye may prove what [is] that good,
and acceptable, and perfect, will of God. ROMANS 12:2 The word "transformed" is from the Greek word "
metamorphe," (to transform or change) and is found only in
the above verse, in Matthew 17:2 ... Geneva Bible: Matthew 17:2
And was b transfigured
[metamorphosized] before them: and his face did shine
as the sun, and his raiment was white as the light. MATTHEW 17:2 and in Mark 9:2 ... Geneva Bible: Mark 9:2 1 And after six days Jesus taketh [with him]
Peter, and James, and John, and leadeth them up into an high mountain
apart by themselves: and he was transfigured
[metamorphosized] before them. MARK 9:2 where it is used of the transfiguration of Jesus. It is used in biology
with reference to the change of the worm to the butterfly. Note by S. H. Cullinane, August 6, 2002: For more on the Geneva (Shakespeare's) Bible, see Michael Brown's Introduction. |
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Tuesday, August 06, 2002 |
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Veritatis Splendor Black Holes Conclusion of the Nobel Prize lecture of Subrahmanyan Chandrasekhar on
December 8, 1983: The mathematical theory of black holes is a subject of immense
complexity; but its study has convinced me of the basic truth of the
ancient mottoes, The simple is the seal of the true and Beauty is the splendour of truth. White Holes Statement by Karol Wojtyla on August 6,
1993: The splendour of truth shines forth in all the works of
the Creator and, in a special way, in man, created in the image and
likeness of God (cf. Gen 1:26). Wojtyla, who apparently prefers folk-tales to truth,
may appreciate the website White Hole Theory at the World University Library. Is the Pope Catholic?
The World University Library furnishes an answer to the
question that has long troubled many: Is the Pope Catholic? According to Catholic.com, The Greek roots of the term "Catholic" mean "according to
(kata-) the whole (holos)," or more colloquially,
"universal." Upon comparing the contents of the World University
Library with the contents of Wojtyla's 1993 statement, it becomes
apparent that the World University Library is catholic
(i.e., universal), but the Pope is
not. |
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Monday, August 05, 2002 |
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What is
Truth? In honor of the 200th anniversary of the birth
of Niels Henrik Abel, a partial answer: Elliptic Curves and Modular
Forms and the introductory work, Function Theory, Geometry,
Arithmetic, by Henry McKean and Victor Moll |
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Monday, August 05, 2002 |
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After the Fall "We're in a war of words." -- Andy Rooney, undated column I've heard of affairs that are strictly
plutonic, You may have noticed at Strike Force Centre or at StrikeForce.dk that "After the Fall" will be released as a Team Deathmatch map for Strike Force. Today's birthday: Fiddler Mark O'Connor. Q - What was that "haunting" melody and where does it come from? A - The piece used as the theme music for The Civil War is called "Ashokan Farewell." Q - How do you get to Ashokan? A - Take a left at Beaverkill Road. Recommended listening: "The Devil Comes Back to Georgia," "House of the Rising Sun," and "Ashokan Farewell," on 10:59 pm |
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Monday, August 05, 2002 |
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War Room "What would bug the Taliban more than seeing a gay woman in a suit
surrounded by Jews?" -- Ellen DeGeneres at the 2001 Emmy awards How about seeing Judy Davis in a sequel to The Hot Rock.... Afghanistan Banana Stand |
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Monday, August 05, 2002 |
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A Star is Born Julius Peter Christian Petersen died on this date in Copenhagen in
1910. To an outsider attending a graph theory conference, it must appear that
we graph theorists have an unnatural reverence for a little symmetrical
picture of 10 dots and 15 lines (see figure). No matter what the title of
the talk, odds are that sooner or later the speaker will draw it, and
heads in the audience will nod in apparent obeisance.
The truth is quite different. In reality, few of us go in search of the
Petersen graph. It is more that it stalks us, hiding behind many an
innocent lemma, waiting to spring out at us. Sometimes it is in a good
mood, and it marches proudly at the head of a new sequence of graphs with
some fascinating property. Just as often, alas, it sits across our budding
proof as a sullen and stubborn obstacle.
-- Brendan McKay, review of a book on the Petersen
graph |
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Monday, August 05, 2002 |
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History, said Stephen.... -- To really know a subject you've got to learn a bit of its
history.... We both know what memories can bring; All sorts of structures that can be defined for finite sets have
analogues for the projective geometry of finite fields.... Clearly this pattern is trying to tell us something; the question is
what. As always, it pays to focus on the simplest case, since that's where
everything starts. In the beginning was the word.... -- The
Gospel according to Saint John The anonymous author of John makes liberal use of allegory and
double-entendre to illustrate this theme. Born yesterday: Logician John Venn. Venn considered three discs R, S, and T as typical subsets of a set U.
The intersections of these discs and their complements divide U into 8
nonoverlapping regions.... -- History of Mathematics at St. Andrews Who would not be rapt by the thought of such
marvels?.... -- Saint Bonaventure on the Trinity |
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Sunday, August 04, 2002 |
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versus One year ago today, Lorenzo Music, the voice of Carlton the doorman on
Rhoda, died. His eulogy from Valerie Harper: "Valerie's heart is breaking, but Rhoda is certain that Carlton
the doorman is giving St. Peter at the gate a run for his
money." Today's birthday: Logician John Venn. Appearing for the story theory... Flannery O'Connor: "In the long run, a people is known, not by its statements or
statistics, but by the stories it tells. Fiction is the most impure and
the most modest and the most human of the arts." Appearing for the diamond theory... Mary McCarthy and G. H. Hardy: From the Hollywood Investigator: On October 18, 1979, Mary McCarthy said on PBS's Dick
Cavett Show: "Every word she writes is a lie, including 'and'
and 'the.'" Don't forget "a," as in "a people is known" -- "Greek mathematics is permanent, more permanent even than
Greek literature. Archimedes will be remembered when Aeschylus is
forgotten, because languages die and mathematical ideas do not." -- G. H. Hardy in A Mathematician's Apology And a closing rebuttal from the story theory... Martin Heidegger and Dean Martin: Words of wisdom from Martin Heidegger, Catholic Nazi: "The nature of art is poetry. The nature of poetry, in turn, is
the founding of truth.... In the work, truth is thrown toward... an
historical group of men." -- Poetry, Language, Thought, page 75, translated by
Albert Hofstadter, Harper & Row paperback, 1975 And from Dean Martin, avatar of anti-art : - Artist: Dean Martin as sung on "Dean Martin's Greatest Hits" |
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Saturday, August 03, 2002 |
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Miss Sauvé for the Sunday following Corpus Christi Day, 2002: The part of her fiction that most fascinates me, then and now, is
what many critics referred to as “the grotesque,” but what she herself
called “the reasonable use of the unreasonable.” [Flannery O’Connor, Mystery and
Manners: Occasional Prose, Robert and Sally Fitzgerald, eds. (New
York: Farrar, Straus, 1969)] A modest example comes to mind. In a short
story .... the setting sun appears like a great red ball,
but she sees it as “an elevated Host drenched in blood” leaving a “line
like a red clay road in the sky.” [Flannery O’Connor, “A Temple of the Holy
Ghost” from A Good Man is Hard to Find (New York: Harcourt, Brace
& World, 1971)] In a letter to a friend of hers,
O’Connor would later write, “…like the child, I believe the Host is
actually the body and blood of Christ, not just a symbol. If the story
grows for you it is because of the mystery of the Eucharist in it.” In
that same correspondence, O’Connor relates this awkward experience:
I was once, five or six years ago,
taken by [Robert Lowell and Elizabeth Hardwick] to have dinner with
Mary McCarthy…. She departed the Church at the age of 15 and is a Big
Intellectual. We went and eight and at one, I hadn’t opened my mouth
once, there being nothing for me in such company to say…. Having me
there was like having a dog present who had been trained to say a few
words but overcome with inadequacy had forgotten them. Well, toward
morning the conversation turned on the Eucharist, which I, being the
Catholic, was obviously supposed to defend. [McCarthy] said that when
she was a child and received the Host, she thought of it as the Holy
Ghost, He being the “most portable” person of the Trinity; now she
thought of it as a symbol and implied that it was a pretty good one. I
then said, in a very shaky voice, “Well, if it’s a symbol, to hell
with it.” That was all the defense I was capable of but I realize now
that this is all I will ever be able to say about it, outside of a
story, except that it is the center of existence for me; all the rest
of life is expendable. [Sally Fitzgerald, ed.,
The Habit of Being: The Letters of Flannery O’Connor (Vintage:
New York, 1979) 124-125] ....There is, of course, something
entirely preposterous and, well, unreasonable, almost grotesque, about
the Catholic doctrine of the Real Presence. We claim, with a perfectly
straight face, to eat the body and drink the blood of the Eternal Word
of God, the second person of the Most Holy Trinity who, according to
some, shouldn’t even have a body to begin with. But therein lies
precisely the most outlandish feature of the Eucharist: namely, that it
embodies the essential scandal of the Incarnation
itself. --
Friar Francisco Nahoe, OFM Conv. From James Joyce A Portrait Of The Artist As A Young
Man Why was the sacrament of the eucharist instituted under the
two species of bread and wine if Jesus Christ be present body and blood,
soul and divinity, in the bread alone and in the wine alone? Does a tiny
particle of the consecrated bread contain all the body and blood of Jesus
Christ or a part only of the body and blood? If the wine change into
vinegar and the host crumble into corruption after they have been
consecrated, is Jesus Christ still present under their species as God and
as man? From The Gazette, Montreal, of Sunday, August 20, 1995, page
C4: "Summer of '69," a memoir by Judy Lapalme on the death
by accidental drowning of her 15-year-old younger brother: "I had never tasted pizza until Jeff died. Our
family, of staunch Irish Catholic stock with more offspring than money,
couldn't cope with the luxury or the spice. The Hallidays, neighbors from across the street, sent it
over to us the day after the funeral, from Miss Sauvé's Pizzeria,
on Sauvé St., just east of Lajeunesse St. in Ahuntsic. An
all-dressed pizza with the hard hat in the centre.... I was 17 that summer and had just completed Grade 12 at
Holy Names High School in Rosemont.... .... Jeff was almost 16, a handsome football star, a
rebellious, headstrong, sturdy young man who was forever locking horns
with my father.... On Friday, Aug. 1, Jeff went out on the boat... and
never came back.... The day after the funeral, a white Volkswagen from Miss
Sauvé's Pizzeria delivered a jumbo, all-dressed pizza to us. The
Hallidays' daughter, Diane, had been smitten with Jeff and wanted
to do something special. My father assured us that we wouldn't like it, too spicy
and probably too garlicky. There could not be a worse indictment of a
person to my father than to declare them reeking of
garlic. The rest of us tore into the cardboard and began
tasting this exotic offering -- melted strands of creamy, rubbery,
burn-your-palate mozzarrella that wasn't Velveeta, crisp, dry, and
earthy mushrooms, spicy and salty pepperoni sliding off the crust with
each bite, green peppers.... Bread crust both crisp and soggy with
tomato sauce laden with garlic and oregano. It was an all-dressed pizza, tasted for the first time,
the day after we buried Jeff.... The fall of 1969, I went to McGill.... I never had another
pizza from Miss Sauvé's. It's gone now -- like so many things."
Ten thousand
places
-- Gerard Manley Hopkins, 1844-1889 American Literature Web Resources:Flannery O'ConnorShe died on August 3, 1964 at the age of 39. In almost all of her works the characters were led to a place where they had to deal with God’s presence in the world. She once said "in the long run, a people is known, not by its statements or statistics, but by the stories it tells. Fiction is the most impure and the most modest and the most human of the arts." Flannery OConnor - Southern Prophet: ... When a woman wrote to Flannery O'Connor saying that one of her stories "left a bad taste in my mouth," Flannery wrote back: "You weren't supposed to eat it." 10:42 pm |
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Saturday, August 03, 2002 |
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The Cruciatus
Curse Today's birthday -- Martin Sheen |
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Friday, August 02, 2002 |
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Death of a Cut-up The dark philosopher William S. Burroughs died five years ago
today. Part of his legacy is the "cut-up" technique. See William
S. Burroughs and Cut-up, where it is noted that "the Cut-up technique was inspired by the
collage technique used by artists and
photographers," and Cut-ups
and the Internet, where it is noted that "The cut-up (or 'cutup') is a method of juxtaposition where a
work (usually text) is cut into pieces and the pieces rearranged in a
random order, similar to the montage or collage technique in painting."
The idea of hypertext (the "ht" in "http://," for "HyperText Transfer
Protocol://") is not unrelated to the concept of the "cut-up"... See Time Line and Contents at The
Electronic Labyrinth. Also from "The Electronic Labyrinth": The question of beginnings and endings--how many of them to have and
where to put them--has troubled many authors. Indeed, some have seen the
singular linear path of traditional literature as cause for
consternation. This is expressed by the narrator in Flann O'Brien's
At Swim-Two-Birds (1968): See also the writings of Eric Olson on the collage method of psychotherapy, the subject
of "Aesthetics of Madness," my July 30, 2002, web journal entry
below. |
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Friday, August 02, 2002 |
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Double Day... August 2, 2002 "Time cannot exist without a soul (to count it)." --
Aristotle The above quotation appears in my journal note of August 2, 1995, as an
epigraph on the reproduced title page of The Sense of an
Ending, by Frank Kermode (Oxford University Press, 1967). August 2, 1995, was the fortieth anniversary of Wallace Stevens's
death. On the same date in 1932 -- seventy years ago today -- actor Peter
O'Toole was born. O'Toole's name appears, in a suitably regal
fashion, in my journal note of August 2, 1995, next to the heraldic crest
of Oxford University, which states that "Dominus illuminatio
mea." Both the crest and the name appear below the reproduced
title page of Kermode's book -- forming, as it were, a foundation
for what Harvard professor Marjorie Garber scornfully called
"the Church of St. Frank" (letters to the editor, New York
Times Book Review, July 30, 1995). Meditations for today, August 2,
2002: From page 60 of Why I Am a Catholic, by Gary Wills (Houghton
Mifflin, 2002): "Was Jesus teasing Peter when he called him 'Rocky,' naming him
ab opposito, as when one calls a not-so-bright person
Einstein?" From page 87 of The Third Word War, by Ian Lee (A&W
Publishers, Inc., New York, 1978): "Two birds... One stone (EIN STEIN)." From "Seventy Years Later," Section I of "The Rock," a poem by Wallace
Stevens: A theorem proposed between the two -- Two figures in a nature of the sun.... From page 117 of The Sense of an Ending: "A great many different kinds of writing are called
avant-garde.... The work of William Burroughs, for instance, is
avant-garde. His is the literature of withdrawal, and his
interpreters speak of his hatred for life, his junk nihilism, his
treatment of the body as a corpse full of cravings. The language
of his books is the language of an ending world, its aim...
'self-abolition.'" From "Today in History," by The Associated Press: "Five years ago: 'Naked Lunch' author William S. Burroughs, the godfather of the 'Beat
generation,' died in Kansas City, Mo., at age 83." Part of the above statement is the usual sort of AP disinformation, due not to any sinister intent but to
stupidity and carelessness. Burroughs actually died in
Lawrence, Kansas. For the location of Lawrence, click on the link
below. Location matters. From page 118 of The Sense of an Ending: "Somewhere, then, the avant-garde language must always
rejoin the vernacular." From the Billie Holiday songbook: "Good mornin', heartache." From page 63 of The New Yorker issue dated August 5, 2002: "Birthday, death-day -- what day is not both?" -- John
Updike |
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Thursday, August 01, 2002 |
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Stephen King's Seattle Rose From http://www.janeellen.com/musings/quakerose.html: On February 28, 2001 (Ash Wednesday).... At a shop called Mind Over Matter in Port Townsend,
Washington, people had been playing with a sand pendulum throughout the
morning. At 10.55 am local time a 6.8 magnitude earthquake, the
strongest in over 50 years, rocked Seattle and the surrounding
area.... In the midst of chaos, something strange and wonderful
happened. The seismic activity caused the sand pendulum to create
rippling waves in the sand, which as the shaking ceased, resembled a
solitary flower in the midst of devastation: a
rose. From http://archives.skemers.com/2200/nl2130.txt:
Subj: Re: SKEMERs Letter #2124 (Rose Red, HIA DVD,
Insomnia Editions)
The one they played most (even at the end) was Theme From a Summer
Place. It's from a movie called (tada) A Summer Place, released in the
late 50s. I've never seen it, but the song is familiar. ~Chris
See also http://autumn.www1.50megs.com/sunset.html: This site offers a sunset reflected in gently rippling water, with "Theme from a Summer Place" playing in the background. Complete lyrics to "Summer Place" and "A Lover's Concerto" (discussed below) are collected along with other "Songs of Innocence" at http://www.geocities.com/lyricalmusings/60s.htm. The reader may supply his own Songs of Experience... My own personal favorite is the fictional rendition, in the recent novel The Last Samurai, of "I Can't Get No Satisfaction" in the style of Percy Faith. This note was suggested by a search for quotations from the composer Igor Stravinsky that ended at Jane Ellen's collection of quotes on music and the arts at http://www.janeellen.com/quotations.html. Roll over, Stravinsky. 1:31 pm |